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Curiosibot One half of ROBATON

The proposal was to design, build and program a ?robot? that can be consider part of a band. This ?robot? could be controlled by software that can send pre-programed pieces of a song and also send real-time information about the piece that is being play by the musicians. So the main idea is to inter...

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Autor Principal: Barberis Figueroa, Pierluigi Stefano
Otros Autores: Webber, Stephen
Formato: Tesis de Maestría
Lenguaje:eng
Publicado: Boston / Berklee Collge of Music 2016
Materias:
INTELIGENCIA ARTIFICIAL
ROBOT MUSICAL
AUTOMATIZACI?N
TECNOLOG?A MUSICAL
Acceso en línea:http://repositorio.educacionsuperior.gob.ec/handle/28000/2452
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spelling oai:localhost:28000-24522017-02-20T16:17:52Z Curiosibot One half of ROBATON Barberis Figueroa, Pierluigi Stefano Webber, Stephen INTELIGENCIA ARTIFICIAL ROBOT MUSICAL AUTOMATIZACI?N TECNOLOG?A MUSICAL The proposal was to design, build and program a ?robot? that can be consider part of a band. This ?robot? could be controlled by software that can send pre-programed pieces of a song and also send real-time information about the piece that is being play by the musicians. So the main idea is to interact with it. The robot would receive real-time information via MIDI. Curiosibot works with MIDI signals that are sent from Max/MSP to an Arduino Mega board. The board receives the signal and via a patch that I use inside Max. Each of the solenoids reacts to a specific note or MIDI message and I multiply this for the 2 octaves. An electrical current of 24 volts activate each solenoid and thanks to a spring, the metallic bar of the solenoids hit the Crotales. Each one would be physically attached to a note on the acoustic instrument, so when the note is activated on the program, it hits the note on the instrument. I preferred to use solenoids because they have a time of reaction much faster than a servo or other types or devices. The project was being divided into stages. The culminating experience would focus on the first stage that is creating a complete working Curiosibot and program it to play with real musicians a pre programmed piece, and in some part of the song receive information from some of the musicians and interact with them on the stage. 2016-10-11T20:48:36Z 2016-10-11T20:48:36Z 2014-07 masterThesis Barberis Figueroa, Pierluigi Stefano. (2014). Curiosibot One half of ROBATON. (Trabajo de titulaci?n de M?ster en Music Technology and Innovation). Berklee Collge of Music. Boston. 14 p. http://repositorio.educacionsuperior.gob.ec/handle/28000/2452 eng 14 p. Boston / Berklee Collge of Music
institution SENESCYT
collection Repositorio SENESCYT
biblioteca Biblioteca Senescyt
language eng
format Tesis de Maestría
topic INTELIGENCIA ARTIFICIAL
ROBOT MUSICAL
AUTOMATIZACI?N
TECNOLOG?A MUSICAL
spellingShingle INTELIGENCIA ARTIFICIAL
ROBOT MUSICAL
AUTOMATIZACI?N
TECNOLOG?A MUSICAL
Barberis Figueroa, Pierluigi Stefano
Curiosibot One half of ROBATON
description The proposal was to design, build and program a ?robot? that can be consider part of a band. This ?robot? could be controlled by software that can send pre-programed pieces of a song and also send real-time information about the piece that is being play by the musicians. So the main idea is to interact with it. The robot would receive real-time information via MIDI. Curiosibot works with MIDI signals that are sent from Max/MSP to an Arduino Mega board. The board receives the signal and via a patch that I use inside Max. Each of the solenoids reacts to a specific note or MIDI message and I multiply this for the 2 octaves. An electrical current of 24 volts activate each solenoid and thanks to a spring, the metallic bar of the solenoids hit the Crotales. Each one would be physically attached to a note on the acoustic instrument, so when the note is activated on the program, it hits the note on the instrument. I preferred to use solenoids because they have a time of reaction much faster than a servo or other types or devices. The project was being divided into stages. The culminating experience would focus on the first stage that is creating a complete working Curiosibot and program it to play with real musicians a pre programmed piece, and in some part of the song receive information from some of the musicians and interact with them on the stage.
author2 Webber, Stephen
author_facet Webber, Stephen
Barberis Figueroa, Pierluigi Stefano
author Barberis Figueroa, Pierluigi Stefano
author_sort Barberis Figueroa, Pierluigi Stefano
title Curiosibot One half of ROBATON
title_short Curiosibot One half of ROBATON
title_full Curiosibot One half of ROBATON
title_fullStr Curiosibot One half of ROBATON
title_full_unstemmed Curiosibot One half of ROBATON
title_sort curiosibot one half of robaton
publisher Boston / Berklee Collge of Music
publishDate 2016
url http://repositorio.educacionsuperior.gob.ec/handle/28000/2452
_version_ 1634995145056190464
score 11,871979

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