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Wes Montgomery's three tiered approach: texture development in Jazz guitar improvisaton

This thesis will describe three guitar techniques that Wes Montgomery used regularly in his solos and their textural effect on his improvised work. I will emphasize his approach, considered to be innovative for the period between1959 and 1970. Montgomery?s specific improvising style has come to be...

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Autor Principal: Acosta Olivares, Sebasti?n Enrique
Otros Autores: Alegr?a, Gabriel
Formato: Tesis de Maestría
Lenguaje:eng
Publicado: Nueva York / Universidad de Nueva York / 2015 2016
Materias:
DESARROLLO TEXTURAL
AN?LISIS MUSICAL
TRANSCRIPCI?N DE SOLOS DE JAZZ
GUITARRISTA WES MONTGOMERY
Acceso en línea:http://repositorio.educacionsuperior.gob.ec/handle/28000/2560
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spelling oai:localhost:28000-25602017-02-20T14:49:31Z Wes Montgomery's three tiered approach: texture development in Jazz guitar improvisaton Acosta Olivares, Sebasti?n Enrique Alegr?a, Gabriel Schroeder, David DESARROLLO TEXTURAL AN?LISIS MUSICAL TRANSCRIPCI?N DE SOLOS DE JAZZ GUITARRISTA WES MONTGOMERY This thesis will describe three guitar techniques that Wes Montgomery used regularly in his solos and their textural effect on his improvised work. I will emphasize his approach, considered to be innovative for the period between1959 and 1970. Montgomery?s specific improvising style has come to be termed the ?three tiered approach.? This approach allowed Montgomery to create a highly distinctive and individualized sound. This technique and style forged a new perspective on traditional jazz vocabulary. Using several transcriptions from Montgomery?s recordings, this thesis will examine the three tiers found in his solos: single lines for some choruses, melodic lines with octaves, and melodies harmonized with block chords. I will demonstrate how this approach created sound amplitude, nourished the texture, and increased the energy of Mont-gomery?s solos. El presente estudio es un an?lisis de los tres enfoques para desarrollar textura en los solos de jazz del guitarrista Wes Montgomery. Este guitarrista fue un pilar fundamental en el desarrollo e innovaci?n de la guitarra jazz, adem?s de ser un ejemplo para las siguientes generaciones. Su enfoque se basa en un desarrollo de textura musical al igual que un incremento en densidad r?tmica y variaciones en el rango del instrumento. La primera fase es la improvisaci?n basada en l?neas mel?dicas solas, la segunda es l?neas octavas, y la tercera es improvisaci?n con acordes en bloque: 3 o cuatro notas. 2016-10-24T17:56:21Z 2016-10-24T17:56:21Z 2015-12-14 masterThesis Acosta Olivares, Sebasti?n Enridque (2015). Wes Montgomery's three tiered approach: texture development in Jazz guitar improvisaton. (Trabajo de Titulaci?n de M?ster en M?sica con especializaci?n en Jazz Performance). Universidad de Nueva York. Nueva York. 28 p. http://repositorio.educacionsuperior.gob.ec/handle/28000/2560 eng 28 p. Nueva York / Universidad de Nueva York / 2015
institution SENESCYT
collection Repositorio SENESCYT
biblioteca Biblioteca Senescyt
language eng
format Tesis de Maestría
topic DESARROLLO TEXTURAL
AN?LISIS MUSICAL
TRANSCRIPCI?N DE SOLOS DE JAZZ
GUITARRISTA WES MONTGOMERY
spellingShingle DESARROLLO TEXTURAL
AN?LISIS MUSICAL
TRANSCRIPCI?N DE SOLOS DE JAZZ
GUITARRISTA WES MONTGOMERY
Acosta Olivares, Sebasti?n Enrique
Wes Montgomery's three tiered approach: texture development in Jazz guitar improvisaton
description This thesis will describe three guitar techniques that Wes Montgomery used regularly in his solos and their textural effect on his improvised work. I will emphasize his approach, considered to be innovative for the period between1959 and 1970. Montgomery?s specific improvising style has come to be termed the ?three tiered approach.? This approach allowed Montgomery to create a highly distinctive and individualized sound. This technique and style forged a new perspective on traditional jazz vocabulary. Using several transcriptions from Montgomery?s recordings, this thesis will examine the three tiers found in his solos: single lines for some choruses, melodic lines with octaves, and melodies harmonized with block chords. I will demonstrate how this approach created sound amplitude, nourished the texture, and increased the energy of Mont-gomery?s solos.
author2 Alegr?a, Gabriel
author_facet Alegr?a, Gabriel
Acosta Olivares, Sebasti?n Enrique
author Acosta Olivares, Sebasti?n Enrique
author_sort Acosta Olivares, Sebasti?n Enrique
title Wes Montgomery's three tiered approach: texture development in Jazz guitar improvisaton
title_short Wes Montgomery's three tiered approach: texture development in Jazz guitar improvisaton
title_full Wes Montgomery's three tiered approach: texture development in Jazz guitar improvisaton
title_fullStr Wes Montgomery's three tiered approach: texture development in Jazz guitar improvisaton
title_full_unstemmed Wes Montgomery's three tiered approach: texture development in Jazz guitar improvisaton
title_sort wes montgomery's three tiered approach: texture development in jazz guitar improvisaton
publisher Nueva York / Universidad de Nueva York / 2015
publishDate 2016
url http://repositorio.educacionsuperior.gob.ec/handle/28000/2560
_version_ 1634995150886273024
score 11,871979

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